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Sir Edward Coley Burne-Jones

British Pre-Raphaelite Painter, 1833-1898

Gemälde ID::  278

Herbst
1869-70
1869-70
British Pre-Raphaelite Painter, 1833-1898

   
 

 

 
   
      

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Atkinson Grimshaw

British 1836-1893 Atkinson Grimshaw Gallery

Gemälde ID::  1853

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Roy Miles Gallery, London, England
Roy Meilen Galerie, London,England
British 1836-1893 Atkinson Grimshaw Gallery

   
 

 

 
   
      

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Giuseppe Arcimboldo

b.c. 1527, Milan, d.1593, Milan Italian Giuseppe Arcimboldo Galleries

Gemälde ID::  3271

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1573 Musee du Louvre, Paris
der Musee von 1573 du Louvre, Paris
b.c. 1527, Milan, d.1593, Milan Italian Giuseppe Arcimboldo Galleries

   
 

 

 
   
      

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Thomas Moran

b1837 UK d1926 Thomas Moran Locations

Gemälde ID::  4253

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1893-97 30" x36" The Philbrook Museum of Art, Tulsa, Oklahoma
1893-97 30 x36 Das Philbrook Museum der Kunst, Tulsa, Oklahoma
b1837 UK d1926 Thomas Moran Locations

   
 

 

 
   
      

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Burne-Jones, Sir Edward Coley

British Pre-Raphaelite Painter, 1833-1898

Gemälde ID::  18893

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1869-70, gouache, private collection
1869-70, Gouache, private Sammlung
British Pre-Raphaelite Painter, 1833-1898

   
 

 

 
   
      

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Nicolas Poussin

French 1594-1665 Nicolas Poussin Galleries

Gemälde ID::  10132

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1660-64 Oil on canvas, 118x160 cmLouvre
1660-64 Öle auf Leinwand, 118x160 cmLouvre
French 1594-1665 Nicolas Poussin Galleries

   
 

 

 
   
      

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Nicolas Poussin

French 1594-1665 Nicolas Poussin Galleries

Gemälde ID::  10133

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1660-64 Oil on canvas, 118x160 cmLouvre
1660-64 Öle auf Leinwand, 118x160 cmLouvre
French 1594-1665 Nicolas Poussin Galleries

   
 

 

 
   
      

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Frederic Edwin Church

American Hudson River School Painter, 1826-1900

Gemälde ID::  10700

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1875 Oil on canvas Thyssen- Bornemisza Museum,Madrid 39.4 x 61 cm
das Öl von 1875 auf Leinwand Thyssen- Bornemisza Museum, Madrid39,4 X 61 cm
American Hudson River School Painter, 1826-1900

   
 

 

 
   
      

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Paul Cezanne

French Post-Impressionist Painter, 1839-1906

Gemälde ID::  27726

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mk62 c.1860-1862 Oil on canvas 314x104cm Venturi 6 Paris,Musee de la ville de Paris Petit Palais
mk62 c.1860-1862 Öl auf Leinwand 314x104cm Venturi 6 ParisMusee de la ville de Paris Petit Palais
French Post-Impressionist Painter, 1839-1906

   
 

 

 
   
      

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Francesco Bassano the younger

Bassano 1549-Venice 1592

Gemälde ID::  28487

Herbst
mk60 Oil on canvas 38x50"
mk60 Öl auf Leinwand 38x50
Bassano 1549-Venice 1592

   
 

 

 
   
      

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Giuseppe Arcimboldo

b.c. 1527, Milan, d.1593, Milan Italian Giuseppe Arcimboldo Galleries

Gemälde ID::  30521

Herbst
mk68 Oil on canvas 30"x25" Paris 1573 Italy
mk68 Öl auf Leinwand 30x25 Paris das Italien von 1573
b.c. 1527, Milan, d.1593, Milan Italian Giuseppe Arcimboldo Galleries

   
 

 

 
   
      

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Francois Boucher

French Rococo Era Painter, 1703-1770

Gemälde ID::  31800

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mk76 Dated 175 Oil on canvas 22 1/2x28 3/4in
Hat mk76 175 Öle auf Leinwand 22 1/2x283/4in. Datiert
French Rococo Era Painter, 1703-1770

   
 

 

 
   
      

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Isaac Levitan

Russia.1844-1927

Gemälde ID::  35152

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mk100 1896 Watercolor and pencil on paper 31.5x44cm
dieWasserfarbe von mk100 1896 und Bleistift auf Papier 31.5x44cm
Russia.1844-1927

   
 

 

 
   
      

This artist (Stanislav Zhukovsky) is not available now.

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Francisco Goya

1746-1828

Gemälde ID::  38279

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mk132 1786-87 Oil on canvas 275x190cm Museo del Prado, Madrid
mk132 1786-87 Öle auf Leinwand 275x190cm Museo del Prado, Madrid
1746-1828

   
 

 

 
   
      

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Levitan, Isaak

Russian Painter, 1860-1900

Gemälde ID::  39212

Herbst
mk144 1888 Oil on linen 41x65cm
das Öl von mk144 1888 auf Leinen41x65cm
Russian Painter, 1860-1900

   
 

 

 
   
      

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Levitan, Isaak

Russian Painter, 1860-1900

Gemälde ID::  39244

Herbst
mk144 1896 Watercolor graphite stiff on paper 31.5x44cm
die Wasserfarbe vonmk144 1896 Grafit der steif ist auf Papier 31.5x44cm
Russian Painter, 1860-1900

   
 

 

 
   
      

This artist (Arthur Dove) is not available now.

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Carl Larsson

Swedish Realist Painter, 1853-1919

Gemälde ID::  41582

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mk163 Watercolor 1884 Nationalmuseum
der Nationalmuseum von mk163 Wasserfarbe 1884
Swedish Realist Painter, 1853-1919

   
 

 

 
   
      

This artist (Nikolay Fechin) is not available now.

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Francisco Goya

1746-1828

Gemälde ID::  50679
Autumn
mk214 1786-7 Oil on canvas 275x190cm
1746-1828

   
 

 

 
   
      

This artist (Marie Laurencin) is not available now.

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Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640

Gemälde ID::  52973
Autumn
mk225 1635-1638 131x229cm
Flemish Baroque Era Painter, 1577-1640

   
 

 

 
   
      

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Ilya Repin

Ukrainian-born Russian Realist Painter, 1844-1930

Gemälde ID::  53137
Autumn
mk96 1892
Ukrainian-born Russian Realist Painter, 1844-1930

   
 

 

 
   
      

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Louis Welden Hawkins

British 1849-1910 Louis Welden Hawkins Galleries

Gemälde ID::  53339
Autumn
mk229 c.1895 oil on canvas
British 1849-1910 Louis Welden Hawkins Galleries

   
 

 

 
   
      

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Erik Werenskiold

Norwegian Realist Painter, 1855-1936

Gemälde ID::  54354
Autumn
mk235 1891 Oil on canvas 120x151cm
Norwegian Realist Painter, 1855-1936

   
 

 

 
   
      

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Jean Francois Millet

1814-1875 French Jean Francois Millet Galleries

Gemälde ID::  55863
Autumn
mk245 1868-1874 85x110cm
1814-1875 French Jean Francois Millet Galleries

   
 

 

 
   
      

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Jean Francois Millet

1814-1875 French Jean Francois Millet Galleries

Gemälde ID::  55864
Autumn
mk245
1814-1875 French Jean Francois Millet Galleries

   
 

 

 
   
      

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Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903

Gemälde ID::  60549
Autumn
mk259 1872 Oil on canvas 55 x 130 cm
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903

   
 

 

 
   
      

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Albani, Francesco

Italian Baroque Era Painter, 1578-1660 Albani's students included Pier Francesco Mola and Andrea Sacchi

Gemälde ID::  62433
Autumn
1616-17 Oil on canvas Galleria Borghese, Rome Francesco Albani, an exponent of the classical ideal, chose a format for his four tondos which, in his own words, "softened" his pictorial expression. The subject matter is taken from Philostratus (Eikones I,6) who describes the games of cupids throughout the four seasons: throwing apples in spring, the fiery furnace of summer, Venus and Adonis taking their farewell in autumn and sleep in winter.
Italian Baroque Era Painter, 1578-1660 Albani's students included Pier Francesco Mola and Andrea Sacchi

   
 

 

 
   
      

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Jakob Philipp Hackert

German 1737-1807 Jakob Philipp Hackert Gallery

Gemälde ID::  62839
Autumn
1784 Oil on canvas, 96,5 x 64 cm Wallraf-Richartz Museum, Cologne The painting depicts a grape harvest and the view of Sorrento, the Gulf of Naples and the islands. Artist: HACKERT, Jacob Philipp Title: Autumn Date: 1751-1800 German , painting : landscape
German 1737-1807 Jakob Philipp Hackert Gallery

   
 

 

 
   
      

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POUSSIN, Nicolas

French Baroque Era Painter, 1594-1665

Gemälde ID::  64723
Autumn
1660-64 Oil on canvas, 118 x 160 cm Mus?e du Louvre, Paris This painting is part of a series of four, entitled the Seasons. The pictures are a sequence, and they are hung in this way in the Grande Galerie of the Louvre. Artist:POUSSIN, Nicolas Title: Autumn, 1601-1650, French , painting , landscape
French Baroque Era Painter, 1594-1665

   
 

 

 
   
      

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John William Godward

English 1861-1922

Gemälde ID::  67804
Autumn
Source Downloaded from
English 1861-1922

   
 

 

 
   
      

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John William Godward

English 1861-1922

Gemälde ID::  67868
Autumn
Autumn, 1900
English 1861-1922

   
 

 

 
   
      

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John William Godward

English 1861-1922

Gemälde ID::  72427
Autumn
"Autumn" by John William Godward 1900(1900) cjr
English 1861-1922

   
 

 

 
   
      

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John William Godward

English 1861-1922

Gemälde ID::  74113
Autumn
Description Godward - Autumn.jpg "Autumn" by John William Godward Date 1900 cyf
English 1861-1922

   
 

 

 
   
      

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Erik Werenskiold

Norwegian Realist Painter, 1855-1936

Gemälde ID::  74282
autumn
autumn ca. 1900 cjr
Norwegian Realist Painter, 1855-1936

   
 

 

 
   
      

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Giuseppe Arcimboldo

b.c. 1527, Milan, d.1593, Milan Italian Giuseppe Arcimboldo Galleries

Gemälde ID::  82199
Autumn
1573, oil on canvas, cjr
b.c. 1527, Milan, d.1593, Milan Italian Giuseppe Arcimboldo Galleries

   
 

 

 
   
      

This artist (Arthur streeton) is not available now.

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Rik Wouters

(21 August 1882, Mechelene11 July 1916, Amsterdam) was a Belgian fauvist painter and sculptor. Wouters was educated at the Academie Royale des Beaux-Arts in Brussels.

Gemälde ID::  82643
Autumn
Date ca. 1913(1913) Medium Oil on canvas Dimensions 135 x 140 cm (53.1 x 55.1 in) cjr
(21 August 1882, Mechelene11 July 1916, Amsterdam) was a Belgian fauvist painter and sculptor. Wouters was educated at the Academie Royale des Beaux-Arts in Brussels.

   
 

 

 
   
      

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Jacob Grimmer

(ca. 1526-1590) was a Flemish Renaissance landscape painter. Grimmer was born and died in Antwerp. According to Karel van Mander he first learned to paint landscapes from Matthys Cock and later from Christiaen Queburgh, both of Antwerp. He was a very skilled painter of houses, sky, and foreground views. He was a member of the Guild of St. Luke who was active as a rederijker and acted in many plays. According to the RKD his earliest dated work is from 1546 and his latest dated work was 1589. Most of his works are landscapes and he worked together with Gillis Mostaert. Abel Grimmer was his son and pupil.

Gemälde ID::  89795
Autumn
second half of 16th century Medium oil on panel cyf
(ca. 1526-1590) was a Flemish Renaissance landscape painter. Grimmer was born and died in Antwerp. According to Karel van Mander he first learned to paint landscapes from Matthys Cock and later from Christiaen Queburgh, both of Antwerp. He was a very skilled painter of houses, sky, and foreground views. He was a member of the Guild of St. Luke who was active as a rederijker and acted in many plays. According to the RKD his earliest dated work is from 1546 and his latest dated work was 1589. Most of his works are landscapes and he worked together with Gillis Mostaert. Abel Grimmer was his son and pupil.

   
 

 

 
   
      

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Maurice Brazil Prendergast

(October 10, 1858 - February 1, 1924) was a U.S. Post-Impressionist artist who worked in oil, watercolor, and monotype. Technically, he was a member of The Eight, but the delicacy of his compositions and mosaic-like beauty of his designs had little in common with the philosophy of the group. Prendergast was born in St. John's, a city in Newfoundland, Canada. With the failure of his father's subarctic trading post, the family moved to Boston.

Gemälde ID::  90081
Autumn
c. 1918(1918)-1923 Medium oil on canvas Dimensions 62 x 49 cm (24.4 x 19.3 in) cjr
(October 10, 1858 - February 1, 1924) was a U.S. Post-Impressionist artist who worked in oil, watercolor, and monotype. Technically, he was a member of The Eight, but the delicacy of his compositions and mosaic-like beauty of his designs had little in common with the philosophy of the group. Prendergast was born in St. John's, a city in Newfoundland, Canada. With the failure of his father's subarctic trading post, the family moved to Boston.

   
 

 

 
   
      

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Alfons Mucha

known in English as Alphonse Mucha, was a Czech Art Nouveau painter and decorative artist, known best for his distinct style. He produced many paintings, illustrations, advertisements, postcards, and designs. Alphonse Maria Mucha was born in the town of Ivančice, Moravia (the present Czech Republic). Although his singing abilities allowed him to continue his education through high school in the Moravian capital of Brno, drawing had been his main hobby since childhood. He worked at decorative painting jobs in Moravia, mostly painting theatrical scenery. During 1879, he relocated to Vienna to work for a major Viennese theatrical design company, while informally augmenting his artistic education. When a fire destroyed his employer's business during 1881 he returned to Moravia, to do freelance decorative and portrait painting. Count Karl Khuen of Mikulov hired Mucha to decorate Hrušovany Emmahof Castle with murals, and was impressed enough that he agreed to sponsor Mucha's formal training at the Munich Academy of Fine Arts.

Gemälde ID::  93817
Autumn
1896(1896) Medium oil on panel cjr
known in English as Alphonse Mucha, was a Czech Art Nouveau painter and decorative artist, known best for his distinct style. He produced many paintings, illustrations, advertisements, postcards, and designs. Alphonse Maria Mucha was born in the town of Ivančice, Moravia (the present Czech Republic). Although his singing abilities allowed him to continue his education through high school in the Moravian capital of Brno, drawing had been his main hobby since childhood. He worked at decorative painting jobs in Moravia, mostly painting theatrical scenery. During 1879, he relocated to Vienna to work for a major Viennese theatrical design company, while informally augmenting his artistic education. When a fire destroyed his employer's business during 1881 he returned to Moravia, to do freelance decorative and portrait painting. Count Karl Khuen of Mikulov hired Mucha to decorate Hrušovany Emmahof Castle with murals, and was impressed enough that he agreed to sponsor Mucha's formal training at the Munich Academy of Fine Arts.

   
 

 

 
   
      

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Marie Bashkirtseff

(Russian: November 11, 1858 October 31, 1884) was a Ukrainian-born Russian diarist, painter and sculptor. Marie BashkirtseffBorn Maria Konstantinovna Bashkirtseva in Gavrontsy near Poltava, to a wealthy noble family, she grew up abroad, traveling with her mother across most of Europe. Educated privately, she studied painting in France at the Acad??mie Julian, one of the few establishments that accepted female students. The Acad??mie attracted young women from all over Europe and the United States. One fellow student was Louise Breslau who Marie viewed as her only rival. Marie would go on to produce a remarkable body of work in her short lifetime, the most famous being the portrait of Paris slum children titled The Meeting and In the Studio, (shown here) a portrait of her fellow artists at work. Unfortunately, a large number of Bashkirtseff's works were destroyed by the Nazis during World War II. From the age of 13, she began keeping a journal, and it is for this she is most famous. Her personal account of the struggles of women artists is documented in her published journals, which are a revealing story of the bourgeoisie. Titled, I Am the Most Interesting Book of All, her popular diary is still in print today. The diary was cited by an American contemporary, Mary MacLane, whose own shockingly confessional diary drew inspiration from Bashkirtseff's. Her letters, consisting of her correspondence with the writer Guy de Maupassant, were published in 1891. The grave of Marie BashkirtseffDying of tuberculosis at the age of 25, Bashkirtseff lived just long enough to become an intellectual powerhouse in Paris in the 1880s. A feminist, in 1881, using the nom de plume "Pauline Orrel," she wrote several articles for Hubertine Auclert's feminist newspaper, La Citoyenne. One of her famous quotes is: Let us love dogs, let us love only dogs! Men and cats are unworthy creatures.

Gemälde ID::  94887
Autumn
1883(1883) Medium oil on canvas cjr
(Russian: November 11, 1858 October 31, 1884) was a Ukrainian-born Russian diarist, painter and sculptor. Marie BashkirtseffBorn Maria Konstantinovna Bashkirtseva in Gavrontsy near Poltava, to a wealthy noble family, she grew up abroad, traveling with her mother across most of Europe. Educated privately, she studied painting in France at the Acad??mie Julian, one of the few establishments that accepted female students. The Acad??mie attracted young women from all over Europe and the United States. One fellow student was Louise Breslau who Marie viewed as her only rival. Marie would go on to produce a remarkable body of work in her short lifetime, the most famous being the portrait of Paris slum children titled The Meeting and In the Studio, (shown here) a portrait of her fellow artists at work. Unfortunately, a large number of Bashkirtseff's works were destroyed by the Nazis during World War II. From the age of 13, she began keeping a journal, and it is for this she is most famous. Her personal account of the struggles of women artists is documented in her published journals, which are a revealing story of the bourgeoisie. Titled, I Am the Most Interesting Book of All, her popular diary is still in print today. The diary was cited by an American contemporary, Mary MacLane, whose own shockingly confessional diary drew inspiration from Bashkirtseff's. Her letters, consisting of her correspondence with the writer Guy de Maupassant, were published in 1891. The grave of Marie BashkirtseffDying of tuberculosis at the age of 25, Bashkirtseff lived just long enough to become an intellectual powerhouse in Paris in the 1880s. A feminist, in 1881, using the nom de plume "Pauline Orrel," she wrote several articles for Hubertine Auclert's feminist newspaper, La Citoyenne. One of her famous quotes is: Let us love dogs, let us love only dogs! Men and cats are unworthy creatures.

   
 

 

 
   
      

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Simon Hollosy

1857-1918 Hungarian Simon Hollosy Gallery

Gemälde ID::  95583
Autumn
1899(1899) Medium oil on canvas cyf
1857-1918 Hungarian Simon Hollosy Gallery

   
 

 

 
   
      

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Jacob Grimmer

(ca. 1526-1590) was a Flemish Renaissance landscape painter. Grimmer was born and died in Antwerp. According to Karel van Mander he first learned to paint landscapes from Matthys Cock and later from Christiaen Queburgh, both of Antwerp. He was a very skilled painter of houses, sky, and foreground views. He was a member of the Guild of St. Luke who was active as a rederijker and acted in many plays. According to the RKD his earliest dated work is from 1546 and his latest dated work was 1589. Most of his works are landscapes and he worked together with Gillis Mostaert. Abel Grimmer was his son and pupil.

Gemälde ID::  97754
Autumn
second half of 16th century Medium oil on panel cyf
(ca. 1526-1590) was a Flemish Renaissance landscape painter. Grimmer was born and died in Antwerp. According to Karel van Mander he first learned to paint landscapes from Matthys Cock and later from Christiaen Queburgh, both of Antwerp. He was a very skilled painter of houses, sky, and foreground views. He was a member of the Guild of St. Luke who was active as a rederijker and acted in many plays. According to the RKD his earliest dated work is from 1546 and his latest dated work was 1589. Most of his works are landscapes and he worked together with Gillis Mostaert. Abel Grimmer was his son and pupil.

   
 

 

 
   
      

Jacob Grimmer
(ca. 1526-1590) was a Flemish Renaissance landscape painter. Grimmer was born and died in Antwerp. According to Karel van Mander he first learned to paint landscapes from Matthys Cock and later from Christiaen Queburgh, both of Antwerp. He was a very skilled painter of houses, sky, and foreground views. He was a member of the Guild of St. Luke who was active as a rederijker and acted in many plays. According to the RKD his earliest dated work is from 1546 and his latest dated work was 1589. Most of his works are landscapes and he worked together with Gillis Mostaert. Abel Grimmer was his son and pupil.
Autumn

        
 
   
 

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